David Bernadas (avatar)

David Bernadas

Rédacteur, Traducteur, Enquêteur

Abonné·e de Mediapart

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Lien 1 janvier 2018

David Bernadas (avatar)

David Bernadas

Rédacteur, Traducteur, Enquêteur

Abonné·e de Mediapart

Arts : Edvard Munch’s World without Pity

Munch absorbed avant-garde styles but never became an avant-garde artist: an interesting proposition from John Yau who publishes books of poetry, fiction, criticism, and who is also a contributer to Hyperallergic.

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David Bernadas (avatar)

David Bernadas

Rédacteur, Traducteur, Enquêteur

Abonné·e de Mediapart

Ce blog est personnel, la rédaction n’est pas à l’origine de ses contenus.

https://hyperallergic.com/418681/edvard-munch-between-the-clock-and-the-bed-met-breuer-2017/

Illustration 1
Self-Portrait with Cigarette (1895) - Oil on canvas © Artists Rights society, New York - Nasjonalmuseet, Oslo - Photo: Børre Høstland

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You can also consider Edvard Munch's photographic work at the occasion of the ongoing exhibition at the Scandinavia House of New York City (until) March 2018, there are interesting publications at this occasion. 

Richard B Woodward's review in the Wall Street Journal.

Julia Friedman's Edvard Munch’s Little-Known, Highly Personal Photography on Hyperallergic.

The Experimental Self, exhibition at the Scandinavia House, Manhattan, NYC.

Also, a teaching material (in French) designed for the Munch exhibition in 2011 l'Oeuil moderne (1900-1944) at Centre Pompidou, Paris.

Illustration 2
Edvard Munch and Rosa Meissner in Warnemünde (1907) - Original gelatin silver contact print © Edvard Munch - Courtesy Munch Museum

Ce blog est personnel, la rédaction n’est pas à l’origine de ses contenus.

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